Rachel Dolezal & the Science of “Sounding Black” – Facts So Romantic

Unless you’ve been on a media blackout this summer, you likely have heard the story of civil-rights activist Rachel Dolezal, an ethnically white woman who has long presented herself as black. The story provoked curiosity and controversy, prompting some to object that she was clothing herself in a racial identity that was not rightfully hers. Dolezal is certainly not the only white person to be drawn to an African-American identity. And though she may be unusual in having pretended to be black, some whites aim to sound black by adorning their speech with features of the variety of English known as African-American English (AAE). When is the use of AAE by white people a form of cultural theft, and when is it the natural outcome of a lifetime of experiences and relationships within an African-American community? A close analysis of a person’s speech patterns can offer clues about the authenticity of his or her use of AAE—whether it’s a white suburban teenager obsessed with hip-hop or a white woman who has grown up in a black community and made a life there.

“Sounding black” involves far more than seasoning your speech with slang associated with popular African-American culture. A <a href="http://www.johnrickford.com/portals/45/documents/papers/Rickford-1999e-Phonological-and-Grammatical-Features-of-AAVE.pdf"&#8230;

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